Illustration by Willa Mead
Long-time readers (I like to think that I have one) will remember when I raved about some of my favorite authors of children’s books.
Well, recently I came across this great appreciation in The Atlantic of Barbara Cooney, probably my favorite of all. Cooney, author of Miss Rumphius, Ox-Cart Man and other classics, has a singular style (her illustrations, always recognizable as her own, graced books by other authors such as Alice McLerran’s Roxaboxen) and a stolid refusal to “talk down to—or draw down to—children.”
Miss Rumphius (1982) has long been my go-to answer when someone asks about my favorite children’s book (I get asked! However, no one asks about my favorite book overall except my own kids; I just say Moby Dick because I have to have an answer. It’s good. You should read it). In the book, a young girl narrates the life of her great-(great?)-aunt Alice Rumphius. Alice, whose own grandfather had tasked her, around the turn of the 20th Century, with “making the world more beautiful,” lived a life that alternated between globetrotting exploration and bookish solitude.
What I love about the book is what separates it from, well, pretty much any other children’s book I can think of. Our heroine spends several pages in the middle of the story recovering from an injured back. This very realistic adult situation is shocking in a quiet way: that can happen, can’t it? And yet she continues, in spite of and around her new limitations, to live a beautiful life.
Though she clearly had friends and companions along the way (one, unmentioned but seen on a snowy mountainside, is a dude), Miss Rumphius remains unmarried and childless and apparently comfortable with the oddness that would have surrounded this situation for a women of her time. In fact, she goes on to be known as “that crazy old lady” due to her carefree pursuit of aesthetic expression (in the form of planting thousands and thousands of lupines across the countryside). At the end, our young narrator herself is given the task of making the world a more beautiful place. How will she do it?
And how, reader, the implication goes, will you?