A while ago, I wrote as a music geek about which music I’ve introduced to my kids, and which I haven’t. As I mentioned, I disagree with a lot of my peers who find it important to pass along their “good” taste to their children. In our house, music tends to be functional rather than ornamental: I play the same recording of Mozart Violin Concertos (by Kremerata Baltica, in case you were wondering) pretty much every Saturday morning, because of the way it tends to complement quiet productivity. And my current go-to bedtime music is From Sleep by composer Max Richter: it is literally music made to sleep to. And as a further sleep aid I have dug up my Buddha Machine, which plays repeated short loops of ambient music. This recently backfired when my nine year-0ld pointed out that something was wrong with the Buddha: “Dad, can’t you hear that undercurrent of dread?” Turns out the battery was running down.
For the most part, we try to let our kids find their own taste, in music as with books (we tend to keep a tight reign on what they watch, which is maybe another post). Having come across this article, however, I’ve been thinking some more about the topic. I was struck in particular by the pull quote from the piece by film critic Peter Bradshaw, which read “Watch a movie with a five-year-old and it becomes more potent.” Though they tend to cycle through a collection of favorites, mostly Disney fare, or shows like The Magic School Bus–whose value I acknowledge, though it makes me want to rip my eyeballs out–there are a few films I will always watch with them. Last weekend, at home alone with the kids, we sat in a pile and watched Muppet Treasure Island. Yesterday it was The Princess Bride*. I realized that these films had taken on a special significance for my kids because of the fact that I was present with them. I hadn’t meant them to take on this weight, but it happened anyway. I don’t think I could have done it on purpose.
A similar thing happened with The Lord of the Rings (the books, not the movies) because I had been saving a boxed set of the trilogy for years, in case my eldest daughter wanted to read them. They had become a long-time topic of conversation, and by the time she had come of age (we had decided she would have to be in double digits), she couldn’t wait another minute. By now she’s worn the bindings off the original set and the new ones aren’t long for this world. I feel proud and nerdily triumphant that she loves the books so much, but here’s the irony: I’ve never gotten through them myself.
A few months ago, on a whim, I took home a Tintin book to show to my girls. For those not familiar, The Adventures of Tintin is a series of boys’ comics published in French in the 1960s and translated into Enlish. I had checked them all out from my school library and they still hold nostalgic real estate in my heart. My kids had not been introduced to comics (though they had discovered Garfield, which was probably inevitable), so I thought this might be a good way in. All four of my daughters, from age five on up, jumped in immediately. Now it’s all Tintin all the time. This had been a casual experiment, but it was wildly successful; so much so that I’m getting a bit worried.
I still haven’t touched Star Wars. But I’ll keep you posted.
*I fast-forward through the Wesley torture scenes, by covenant with my wife; however, I still let them see Inigo Montoya take his bloody vengeance. Someday we will be able to talk about the moral problems of revenge. But not now.